Mew Announce New Album Visuals, Share New Track “Carry Me to Safety”: Listen

Mew Announce New Album Visuals, Share New Track “Carry Me to Safety”: Listen

Mew have announced the follow-up to 2015’s +-. The Danish trio return with Visuals on April 28 via Play It Again Sam. Check out the album track “Carry Me to Safety,” as well as the tracklist and their upcoming tour dates, below. The album was written on the road during their tour surrounding +-. It was recorded and self-produced in Copenhagen, and the band designed the album’s visuals.

Visuals:

01 Nothingness and No Regrets

02 The Wake of Your Life

03 Candy Pieces All Smeared Out

04 In a Better Place

05 Ay Ay Ay

06 Learn Our Crystals

07 Twist Quest

08 Shoulders

09 Videos

10 Zanzibar

11 Carry Me to Safety

Mew:

05-17 Amsterdam, Netherlands – Paradiso

05-19 Paris, France – Point Ephemere

05-20 Antwerp, Belgium – Trix

05-21 Bristol, England – Trinity

05-22 Manchester, England – O2 Ritz

05-23 London, England – Shepherds Bush Empire

05-25 Köln, Germany – Luxor

05-26 Hamburg, Germany – Knust

05-27 Neutrelitz, Germany – Immergut Festival

Here Are 13 Ways to Protest Trump by Buying New Music

Here Are 13 Ways to Protest Trump by Buying New Music

Earlier today, Donald Trump was sworn in as the 45th President of the United States. This week, many artists have released new music to coincide with the inauguration, with proceeds going to organizations fighting for causes threatened by Trump’s presidency. We’ve compiled a list below, including Arcade Fire, Angel Olsen, Carrie Brownstein, United Nations, Mount Eerie, the Pains of Being Pure at Heart, and lots more. Many artists are also performing at benefit shows this week and going forward to support these same causes. The new website Collective Consciousness has put together a frequently updated guide to these events.

Read Pitchfork’s statement encouraging our readers to donate to worthy causes.

The Flaming Lips: Oczy Mlody review – ponderous synth psychedelia

(Bella Union)

While continuing in the subdued, synth-heavy vein of 2013’s The Terror, the 15th album from Oklahoma psychedelicists the Flaming Lips is at least less lyrically bleak, its conceptual arc encompassing freely defecating green-eyed unicorns, sleep and futuristic drugs. Rich in interesting R&B-influenced textures, its songs too often fail to engage, particularly on a ponderous second half. And there’s still no solution to the recurring problem they’ve had since ditching the (often cloying) euphoria of their late 90s/early 00s commercial peak: the vocal shortcomings of Wayne Coyne – a man with a voice only Ian Brown’s mother could love – seem so much more exposed. Indeed, it’s telling that the strongest song here is the closing We a Famly, on which he’s helped out by Miley Cyrus.

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